James L. Brooks (born May 9, 1940) is a three-time Academy Award, nineteen-time Emmy and Golden Globe-winning American producer, writer, and film director.He is best known for producing American television programs such as The Mary Tyler Moore Show, The Simpsons (in which he created miscellaneous characters, including the Bouvier family), Rhoda and Taxi. His best-known film is Terms of Endearment, for which he received three Academy Awards in 1984.
Brooks was born in Brooklyn, New York, and was raised in North Bergen, New Jersey in a Jewish family.[1] Brooks began his television career as a writer for CBS News from 1964 to 1966. After working for the ABC television series Room 222 as executive story editor, Brooks was hired along with writing partner Allan Burns by television executive Grant Tinker to create a show that would later become The Mary Tyler Moore Show.
The Mary Tyler Moore Show became a critical and commercial success and spawned other television shows created by Brooks and Burns such as Rhoda, Paul Sand in Friends and Lovers, Taxi, The Associates, and Lou Grant. Brooks often sat in the studio audience of shows that he produced in the 1970s. Viewers can usually tell whether Brooks was in the audience by his distinctive loud guffaw. He would also make occasional cameo appearances.[citation needed]
In 1978, Brooks began work on feature motion films. His first project was being writer and co-producer on the film Starting Over and later wrote, produced and directed Terms of Endearment in 1983.
Brooks later started his own film and television production company, Gracie Films, in 1984. Gracie Films would produce the television series The Tracey Ullman Show and its spin-off, The Simpsons as well as the animated series The Critic. Gracie Films' notable film productions were Jerry Maguire, As Good as It Gets, Big, Bottle Rocket and Broadcast News.
Brooks had a cameo in The Simpsons episode "A Star Is Born-Again". He also played a semi-fictional version of himself in friend Albert Brooks' comedy Modern Romance as an opinionated film director.
Brooks mentored Cameron Crowe and was the executive producer of Crowe's directorial debut Say Anything.... Crowe recalled later in an interview of the film's anniversary that he approached Brooks and told him about these ideas he had. Upon hearing this, Brooks encouraged Crowe to keep writing.[citation needed] Brooks also mentored Owen Wilson and Wes Anderson after they brought Bottle Rocket to his attention. Owen believes they wouldn't have gotten the film made if it wasn't for Brooks' help.[citation needed] In 2007, Brooks appeared -- along with star Hollywood screenwriters Nora Ephron, Carrie Fisher, and others -- in Dreams on Spec, a documentary about filmmaking.[citation needed] Brooks is one of the few people thanked during the end credits for the film Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan.
The Mary Tyler Moore Show became a critical and commercial success and spawned other television shows created by Brooks and Burns such as Rhoda, Paul Sand in Friends and Lovers, Taxi, The Associates, and Lou Grant. Brooks often sat in the studio audience of shows that he produced in the 1970s. Viewers can usually tell whether Brooks was in the audience by his distinctive loud guffaw. He would also make occasional cameo appearances.[citation needed]
In 1978, Brooks began work on feature motion films. His first project was being writer and co-producer on the film Starting Over and later wrote, produced and directed Terms of Endearment in 1983.
Brooks later started his own film and television production company, Gracie Films, in 1984. Gracie Films would produce the television series The Tracey Ullman Show and its spin-off, The Simpsons as well as the animated series The Critic. Gracie Films' notable film productions were Jerry Maguire, As Good as It Gets, Big, Bottle Rocket and Broadcast News.Brooks had a cameo in The Simpsons episode "A Star Is Born-Again". He also played a semi-fictional version of himself in friend Albert Brooks' comedy Modern Romance as an opinionated film director.
Brooks mentored Cameron Crowe and was the executive producer of Crowe's directorial debut Say Anything.... Crowe recalled later in an interview of the film's anniversary that he approached Brooks and told him about these ideas he had. Upon hearing this, Brooks encouraged Crowe to keep writing.[citation needed] Brooks also mentored Owen Wilson and Wes Anderson after they brought Bottle Rocket to his attention. Owen believes they wouldn't have gotten the film made if it wasn't for Brooks' help.[citation needed] In 2007, Brooks appeared -- along with star Hollywood screenwriters Nora Ephron, Carrie Fisher, and others -- in Dreams on Spec, a documentary about filmmaking.[citation needed] Brooks is one of the few people thanked during the end credits for the film Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan.
James L. BrooksSzületett:1940. május 9.
Amerikai író, rendező, producer. Az amerikai televíziózás vezető alakja volt, mielőtt Hollywoodba érkezett. A 60-as évek végétől olyan, Amerika-szerte közkedvelt sorozatok kitalálója és szellemi motorja volt, mint a Room 222, a The Mary Tyler Moore Show vagy az Andy Kaufmant, Danny De Vitót és Christopher Lloydot ismertté tevő Taxi. Mindössze négy mozifilmet alkotott rendezőként és íróként, de ebből három az emberközeli hollywoodi filmek időtálló és népszerű darabjaiként tartható számon. Első filmjét, a halállal (tehát nem happy enddel) végződő Becéző szavakat csak nagy viták árán tudta keresztülvinni a filmstúdiónál. De az eredmény őt igazolta, a filmet öt Oscarral jutalmazta az Amerikai Filmakadémia (ebből hármat Brooks kapott). Később az ő közreműködése nélkül készült el a film folytatása (Esthajnalcsillag). A híradó sztárjai a tévés hírversenyben hajtó, nap mint nap megalkudni vagy konfrontálódni kényszerülő három ember történetét mesélte el Albert Brooks, Holly Hunter és William Hurt főszereplésével. A Bármit megteszekben a kiégett férfi és cserfes kislány sokszor látott párosára azonban már nem volt kíváncsi a közönség. A Lesz ez még így se!, egy érzelmes történet a szerelmes könyveket író, ám a szerelemről mit sem tudó, megszokásai rabjává vált férfiről, Jack Nicholsonnal és az őt megváltoztató Helen Hunttal telitalálat lett: a filmet nemcsak a kritikusok dicsérték, de Amerikában 148 millió dolláros bevételt hozott, és mindkét főszereplő Oscart kapott alakításáért. Brooks eközben a képernyő világához sem lett hűtlen, cége készítette Tracey Ullman (Süti, nem süti) tévés show-ját, és a legendás The Simpsons rajzfilmsorozatot. Brooks jegyezte producerként Cameron Crowe egyes korai filmjeit is.
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