Donna Karan

Donna Karan (born October 2, 1948 as Donna Ivy Faske) is the fashion designer and the creator of the DKNY (Donna Karan New York) clothing label.

She was born Donna Ivy Faske on October 2, 1948 in Forest Hills, Queens.^[1] She grew up in Woodmere, Long Island with her stepfather, a tailor, and her mother, a model. Karan started selling clothing on Cedarhurst, New York's Central Avenue at age 14.^[2] She graduated from Hewlett High School in 1966 and then went on to Parsons The New School for Design for two years. She left to work for Anne Klein. Eventually she became head of the Anne Klein design-team and remained in this position until 1989. At that time, she launched the Essentials line, and her legendary "Seven Easy Pieces." She married Mark Karan in the early 1970s.

The European DKNY business was damaged in the early 1990s by poor quality and flawed logistics which resulted in the creation of a European supply center in Amsterdam, Netherlands. The company later announced to show their collection at the Milan fashion week in 1996 but later backed out again.

Karan is the founder of many charities including, most recently, the Urban Zen initiative. On March 14 and 15 2008, Karan organized a huge sale of her personal belongings and vintage company samples at her late husband's studio to benefit the cause. In October 2008, a foundation run by Karan donated $850,000 to New York's Beth Israel Medical Center. The grant will be used for testing whether yoga, meditation and aromatherapy can enhance the traditional cancer treatments of chemotherapy and radiation.[1]

She lives in Lawrence, Nassau County, New York. She studies Kabbalah.

In mid-1997 Donna Karan quit as CEO of the company but has officially remained chairwoman and designer in charge of the Donna Karan line. Actually, the line these days is designed by Peter Speliopoulos, a talented former Cerruti designer, with Karan contributing little subtleties or even entire new creations. The DKNY line is entirely designed by Jane Chung, a Karan employee since the days at Anne Klein. Most merchandise is licensed. Liz Claiborne markets the DKNY Jeans and Active brands lines, and Estée Lauder is in charge for the cosmetics business. In 1997, Donna Karan signed licensing deals with Wacoal America for men's and women's DKNY intimate apparel, Esprit for DKNY children's apparel, Phillips Van Heusen for DKNY men's dress shirts, Mallory & Church for DKNY men's ties and hosiery, Peerless Clothing for DKNY suits and sport coats, and Max Leather for belts and small leather goods.

In 1998, things had turned for DKNY: a men's dress shirt sells now for up to $125 while a Calvin Klein sportswear dress shirt is almost half. The couture Donna Karan Signature line for men, which was comparable to the men's line of Calvin Klein Collection, has been pulled from the market.

In November 2001, LVMH (Louis Vuitton Moet Hennessy) fashion giant completes the acquisition of DKNY Inc. in a $243 million deal.

As of October 2006, Mark Weber is CEO of Donna Karan International.

In August 2008, Donna Karan relaunched her discontinued fragrance line from the 1990s. These include DK Fuel for Men, Signature, Chaos, and Black Cashmere. They are available exclusively in the United States at Bergdorf Goodman New York and in England at Harrods Knightsbridge.

The first DKNY flagship store opened in 1999 at Madison Avenue and 60th in New York. According to the company's web site there are Donna Karan stores in New York, Manhasset, Boston, Costa Mesa, London, Singapore, Tokyo, Fukuoka, Las Vegas and Dubai. The Donna Karan store in Berlin was closed in December 2001. The DKNY label has its own stores, located predominantly in retail shopping malls. Apart from DKNY stores in New York, Costa Mesa, Short Hills, Boston, Las Vegas, Los Angeles, there are international outlets in London, Antwerp, Tokyo, Hong Kong, Dubai, Tel Aviv and Montreal, as well as Cancún, Barcelona, Ankara, Manchester, Kuala Lumpur, Manila, Beirut, and Athens among others. In addition, there are so-called Donna Karan Company stores, predominantly located within outlet malls, which sell the merchandise at reduced prices.

Since 2005, Donna Karan has offered online shopping of its DKNY and associated lines at the label's web site. Products range from DKNY and DKNY Jeans womenswear, accessories, underwear, shoes, baby clothing, the PURE collection to DKNY menswear. The latter was available up until the spring 2007 season. Since then only the DKNY Jeans label, underwear, eyewear and watches have been offered online for men.

The company maintains design studios, showrooms and offices at 550 Seventh Avenue (Manhattan) (headquarters) and 240 W. 40th St. in New York City.

Donna Ivy Faske 1948. október 2-án született New Yorkban. Szabó édesapja 3 éves korában meghalt, így szintén a divatiparban tevékenykedő mostohaapja és modell édesanyja nevelte Long Island Hewlett városában. Az ottani gimnáziumban érettségizett 1966-ban, majd a Parson's School of Design-ban tanult tovább.

Az iskolában töltött két év után nyári munkára vették fel, majd a diploma megszerzése után főállásban csatlakozott Anne Klein csapatához, akinek a halála után a tervező részleg fejévé vált. 1982-ben megalkotta az Anne Klein II kollekciót, a divatház kifejezésmódjának megfelelő ruhákkal, de már saját stílusjegyeit is láttatni engedte. 1984-ig maradt a pozíciójában, mert saját kollekciója megvalósítása mellett döntött, amit egy évvel később a nappalijában mutatott be, és nem várt sikert aratott vele.

Számtalanszor jutalmazták, többek között: 1977-ben megnyerte a Coty American Fashion Critics díját, amit 1982-ben ismét neki ítéltek. Két évvel később - szintén a Coty - szerepeltette az év legjobbjai listáján; bevezették a Coty Hall of Fame-be. 1990-ben a Divattervezők tanácsa az év nőiruha-, majd rá két évre az év férfiruha tervezőjének nevezte. 1996-ban megint a női kollekciójáért jutalmazták, és életműdíjat kapott 2004-ben.

Donna Karant a divatvilágban az elasztikus ruhái, valamint az Essentials vonala tette híressé. Utóbbi hét darabból álló, egymással könnyedén kombinálható, egységes öltözeteket jelentett. Ahogy egyre több amerikai nő vetette meg a lábát az üzleti életben, keresetté váltak az elegáns, kifinomult darabok, főként feketében, fehérben és szürkében. Olyan ruhákat tervez, amelyeket ő maga is hordana. A pletykák szerint nem enged ki egyetlen darabot sem műhelyeiből, amíg fel nem próbálta őket, és nézte meg, hogy neki jól állnak-e. Ruháit nem modellekre, hanem igazi, mindennapi nőkre tervezi, akik kényelmes, ugyanakkor stílusos darabokat szeretnének.1973-ban ment feleségül Mark Karan butiktulajdonoshoz, akitől egy lánya, Gabrielle született. Donna Karan New York nevű kollekcióját lánya tinédzserré válásakor ötölte ki; úgy döntött, a fiatalabb generációnak is tervezni akar. A DKNY kollekció darabjai olcsóbbak és fiatalosabbak, ugyanakkor stílusosak és exkluzívak.

Válása után Stephan Weiss szobrásszal házasodott össze; két gyerekük született. Weiss annak idején a cégalapításban, valamint az üzleti teendőkben is sokat segített. A férfi 1995-ben vonult vissza, hogy életét és energiáit teljesen a szobrászatnak szentelhesse.

1987-ben egykori iskolája díszdoktorrá avatta, és az igazgatótanács tagjává választotta.

Kötelességének érzi, hogy ismertségét jótékony célokra fordítsa, így pl. alapítványt hozott létre az AIDS elleni figyelemfelkeltés oktatására, többek között pedig egy rákellenes alapítványt is támogat.

Ralph Lauren

Ralph Lauren (born Ralph Lifshitz on October 14, 1939) is an American fashion designer and business executive. He is most notable for his Polo Ralph Lauren clothing brand.

Ralph Lauren was born Ralph Rueben Lifshitz in The Bronx to Ashkenazi Jewish immigrants from Belarus: Fraydl (Kotlar) and Frank Lifshitz, a house painter.

From a young age he started working after school to earn money to buy suits. The four-year younger Calvin Klein, lived in the same Bronx neighborhood but it is not known if they ever met while living there.

Lauren attended the Salanter Academy Jewish Day School followed by MTA (now known as the Marsha Stern Talmudical Academy), before eventually graduating from DeWitt Clinton High School in 1957.[citation needed] In MTA Lauren was known by his classmates for selling ties to his fellow students. In his Clinton yearbook he stated under his picture that he wanted to be a millionaire.[citation needed] Other notables who attended this school include Burt Lancaster, Robert Klein, and Stan Lee. At age 16, Ralph's brother Jerry changed their last name from Lifshitz to Lauren (his brother Lenny retained the name Lifshitz for many years). During the summers, Lauren attended Camp Roosevelt (Monticello)[2].

He went to Baruch College (of the City University of New York) where he studied business, although he dropped out after two years. From 1962 to 1964 he served in the United States Army. After his discharge in 1968, he married Ricky Low-Beer. He did not attend fashion school, but worked for Brooks Brothers as a salesman. In 1967, with the financial backing of Norman Hilton, Lauren opened a necktie store where he also sold ties of his own design, under the label "Polo". He later purchased the name from Hilton. Lauren has since grown his fashion empire into a billion-dollar business.

In 1970 Ralph Lauren won the City Award for his menswear line created exclusively for teen heartthrob Andrew McLean. Around that same time he released a line of women's suit that were tailored in a classic men's style, which was when the first Polo emblem was seen. It was on the cuff of the women's suit. Ralph Lauren released Polo's famous short sleeve mesh shirt with the Polo logo in 1972. It came out in 24 colors. It became an overnight classic. He also gained recognition for his design after he was contracted to provide clothing styles for the movie The Great Gatsby.

In 1984 he transformed the Rhinelander Mansion, former home of the photographer Edgar de Evia and Robert Denning, into the flagship store for Polo Ralph Lauren. This same year de Evia photographed the cover feature story for House & Garden on the Lauren home Round Hill in Jamaica[3], which had formerly been the home of Babe and Bill Paley.

Sometime in early 1987, Lauren was diagnosed with a benign brain tumor. In April of that year, he underwent surgery to remove the tumor, and made a full recovery.[5]

On June 11, 1997, Polo Ralph Lauren became a public company, traded on the New York Stock Exchange under the symbol RL.

Ralph and his wife, Ricky, have two sons and a daughter: Andrew Lauren (b. 1969 in New York City, New York), David Lauren (b. 1971) and Dylan Lauren (b. May 1974 in New York City). David is an executive at Polo Ralph Lauren and Dylan owns and operates an upscale candy store, Dylan's Candy Bar, at 59th Street and Third Avenue in Manhattan. Ricky appeared on the television show Martha on December 10th 2006 and stated that her son Andrew is in the "movie business".

In 2003, Lauren's nephew Greg Lauren announced his engagement to actress Elizabeth Berkley. Lauren designed and created outfits for the entire wedding party (including Berkley's wedding dress) to wear. Berkley wore a silk sheath dress with pearled spaghetti straps while Lauren wore a white tuxedo jacket and a black bow tie.

Lauren is the subject of several biographies (written by Jeffrey Trachtenberg, Michael Gross and Colin MacDowell).
Lauren is also well known as a collector of classic automobiles. His cars have won best in show at the prestigious Pebble Beach Concours d'Elegance multiple times. His collection was recently displayed at the Boston Museum of Fine Arts.

By 2007 Ralph Lauren had over 35 boutiques in United States. There were 23 locations that carried Ralph Lauren Purple Label, including Atlanta, Beverly Hills, Boston, Charlotte, Wisconsin Avenue, Chicago, Costa Mesa, Dallas Denver, Honolulu, Houston, Las Vegas, Manhasset, New York, Palm Beach, Palo Alto, Philadelphia, Phoenix, San Diego, San Francisco, Short Hills, Troy, Orlando, Florida, Naples Florida, and Washington DC.

A bronx-i születésű Ralph Lauren, már negyven éve a divatszakma egyik legkiemelkedőbb szakembere. Eddigi karrierje alatt számos sikereket ért el, elismert tervező a szakmában. Újabb megmérettetés elé néz, mivel a wimbledoni teniszversenyzőknek ő lesz az első divattervezője. Ralph Lauren divatcége szerződést kötött az All England Club-bal 2010-ig, melyben megállapodtak, hogy ő lesz Wimbledon hivatalos és kizárólagos divatguruja. Az angol tenisz 129 éves történelme során, ő az első divattervező, akit felkértek erre a feladatra. Ralph már neki is látott a tervezésnek, tiszteletben tartva az angol tenisz történelmi hátterét, és hagyományait, a korábbi megszokott wibledon-i öltözködési stílust akarja megtartani egy kicsit modernebb és divatosabb változatban.

Marcel Breuer

Marcel Lajos Breuer (21 May 1902 Pécs, Hungary – 1 July 1981 New York City), architect and furniture designer, was an influential Hungarian-born modernist of Jewish descent. One of the masters of Modernism, Breuer displayeded interest in modular construction and simple forms.

Known as Lajkó, Breuer studied and taught at the Bauhaus in the 1920s, stressing the combination of art and technology, and eventually became the head of the school's cabinet-making shop. He later practiced in Berlin, designing houses and commercial spaces, as well as a number of tubular metal furniture pieces, replicas of which are still in production today.
Perhaps the most widely-recognized of Breuer's early designs was the first bent tubular steel chair, later known as the Wassily Chair, designed in 1925 and was inspired, in part, by the curved tubular steel handlebars on Breuer's Adler bicycle. Despite the widespread popular belief that the chair was designed for painter Wassily Kandinsky, Breuer's colleague on the Bauhaus faculty, it was not; Kandinsky admired Breuer's finished chair design, and only then did Breuer make an additional copy for Kandinsky's use in his home. When the chair was re-released in the 1960s, it was designated "Wassily" by its Italian manufacturer, who had learned that Kandinsky had been the recipient of one of the earliest post-prototype units.
In the 1930s, due to the rise of the Nazi party in Germany, Breuer relocated to London. While in London, Breuer was employed by Jack Pritchard at the Isokon company; one of the earliest introducers of modern design to the United Kingdom. Breuer designed his Long Chair as well as experimenting with bent and formed plywood. Breuer eventually ended up in the United States. He taught at Harvard's architecture school, working with students such as Philip Johnson and Paul Rudolph who later became well-known U.S. architects. (At one point Johnson called Breuer "a peasant mannerist".[1]) At the same time, Breuer worked with old friend and Bauhaus colleague Walter Gropius, also at Harvard, on the design of several houses in the Boston area.

Breuer dissolved his partnership with Gropius in May 1941 and established his own firm in New York. The Geller House I of 1945 is the first to employ Breuer's concept of the 'binuclear' house, with separate wings for the bedrooms and for the living / dining / kitchen area, separated by an entry hall, and with the distinctive 'butterfly' roof (two opposing roof surfaces sloping towards the middle, centrally drained) that became part of the popular modernist style vocabulary. A demonstration house set up in the MOMA garden in 1949 caused a new flurry of interest in the architect's work, and an appreciation written by Peter Blake. When the show was over, the "House in the Garden" was dismantled and barged up the Hudson River for reassembly on the Rockefeller property in Pocantico Hills near Sleepy Hollow.
The 1953 commission for UNESCO headquarters in Paris was a turning point for Breuer: a return to Europe, a return to larger projects after years of only residential commissions, and the beginning of Breuer's adoption of concrete as his primary medium. He became known as one of the leading practitioners of Brutalism, with an increasingly curvy, sculptural, personal idiom. Windows were often set in soft, pillowy depressions rather than sharp, angular recesses. Many architects remarked at his ability to make concrete appear "soft".
Breuer is sometimes incorrectly credited, or blamed, for the former Pan Am Building (now the MetLife Building), an unpopular high-rise in New York City. The Pan Am was actually designed by Emery Roth & Sons with the assistance of Walter Gropius and Pietro Belluschi. Breuer's name was associated with the site because in 1969 Breuer developed a 30-story proposed skyscraper over Grand Central Terminal, called "Grand Central Tower", which Ada Louise Huxtable called "a gargantuan tower of aggressive vulgarity,"[2] and became a cause celebre. Breuer's reputation was damaged, but the legal fall out improved the climate for landmark building preservation in New York City and across the United States.
Breuer's Grand Central Tower set the foundations for his skyscraper idea. In 1966, the Cleveland Museum of Art needed to expand, one of its trustees was Brock Weir of Cleveland Trust Bank. Weir visited New York City scouting bank headquarter designs for a new Cleveland Trust Tower. Weir saw the proposed the Grand Central Tower idea and got Breuer to design the Cleveland Trust Tower. In 1968, the Cleveland Trust Tower plan was revealed. It was to have two twin towers flanking the bank's 1908 rotunda. Construction began in 1969 and was completed in 1971. The second tower was to begin construction in 1971 but due to plans at Cleveland Trust, the second tower was not erected, but the tower is ready for expansion if needed. The Tower was renamed the AT Tower or the Ameritrust Tower after Cleveland Trust's name change in 1980.
After the 1992 merger Ameritrust and Society Banks, the Ameritrust has been vacant. In 2005, Cuyahoga County commissioners bought the building for $22,000,000 and were planning to use the site for a new county administration center. The commissioners decided in 2007 to demolish the Ameritrust Tower and many preservation groups opposed it downright. In October 2007, the commissioners voted to sell the tower and site to a developer. On April 17, 2008, the K&D Group purchased the site and plan a $133-million project. The group will preserve the tower as a hotel/condo complex.
Breuer Lajos Marcell, vagy nemzetközileg ismert formában Marcel Breuer (Pécs, 1902. május 21. – New York, 1981. július 1.) világhírű magyar építész, formatervező, a Bauhaus mestere, Walter Gropius tanítványa és későbbi munkatársa.

Az alsó iskolákat Pécsett végezte. 1920-ban a bécsi Művészeti Akadémián szobrászatot kezdett tanulni, de fél év után abbahagyta és Weimarban Gropius építésztanítványa lett.

1920-1924 között tanult a Bauhausban asztalosnak, majd inasvizsgát tett. Ezután Párizsba ment. 1925 áprilisától 1928 áprilisáig volt a Bauhaus mestere, a bútorműhelyt vezette. Számos bútortervet készített, épületberendezésekkel is behatóan foglalkozott: már 1922-be növendékként konyhaberendezést tervezett, 1925-ben modulrendszerbe foglalható szekrényelemeket szerkesztett (a modulraszter előfutáraként); 1925-ben a kerékpárkormány felépítéséből merítve tervezte meg első csővázas székét, amelynek legelső változata Wassily-szék néven ismert. 1925-ben készítette kis acélvázas épületét Dessauban. Belső berendezéseket tervezett többek között a dessaui Bauhaus épületeibe 1925/1926-ban és Piscator berlini lakásába 1927-ben. Walter Gropiusal ő is kiállt az elemekből való építkezés mellett, amely szabványelemek kombinációjával hoz létre technológiailag egyszerű és funkcionálisan összetett egészet. A Bauhaust Gropiussal együtt hagyták el.

1928-ban Berlinben kezdte meg magánépítészi pályafutását. Bútorokat és berendezési tárgyakat, valamint kiállításokat tervezett. Az 1930-as Werkbund kiállításon bemutatta szállodaépületének egy felépített lakóegységét. 1930-ban a harkovi színház tervén dolgozott. Két jelentős lakóépülete épült fel a harmincas években: Wiesbadenben a Harnischmacher-ház (1932), és a Roth testvérekkel közösen tervezett Zürich-Dolderthal-i lakóházegyüttes, amely Sigfried Giedion svájci építészettörténész számára (épült 1934–36). F. R. S. Yorke munkatársaként két évig Londonban folytatott építészeti tevékenységet, ennek során az Isokon cég számára készítette később világszerte utánzott rétegelt lemez bútorait.

1934-ben hazaköltözött, Budapestre, a Mérnöki Kamara azonban nem vette fel a tagjai közé és emiatt itthon nem folytathatta az építészi pályát (ugyanis a Bauhaus-képzés abban az időben nem terjedt ki a mérnöki képesítéshez elengedhetetlen mechanika, statika, épületszerkezetek méretezése tantárgyakra) pedig előzőleg Fischer Józseffel és Molnár Farkassal közösen megnyerte a Budapesti Nemzetközi Vásár, Várnai Mariannal pedig a szegedi Országos Társadalombiztosító Intézet tervpályázatát. 1935-ben Angliába távozott.(Késői elismerésként 1968-ban a Budapesti Műszaki Egyetem díszdoktorrá avatta.)

1937-ben a Harvard Egyetemen tanított építészetet, majd 1938-tól 1941-ig Gropiusszal dolgozott a Massachusetts állambeli Cambridge-ben. A Bauhaus nemzetközi jellegét és Új-Anglia favázas épületeinek helyi karakterét ötvöző munkásságuk igen erősen hatott a családiház-építészetre, jóformán az Egyesült Államok egész területén. Ezt a stílust példázza Breuer saját lincolni háza (1939) és a waylandi Chamberlain-ház (1940; mindkettő Massachusetts államban).
1946-ban Breuer New Yorkba költözött, ettől kezdve elárasztották megbízásokkal. A fontosabbak: a Sarah Lawrence College színháza a New York állambeli Bronxville-ben (1952); az UNESCO párizsi székháza (1953–58; Pier Luigi Nervi és Bernard Zehrfuss közreműködésével); a Szent János-apátság a minnesotai Collegeville-ben (1953–61); a rotterdami De Bijenkorf Áruház (1955–57); az IBM Kutatóközpont a franciaországi La Guade-ban (1960–62); a New York-i Whitney Museum of American Art (elkészült 1966-ban); az Amerikai Építésügyi és Városfejlesztési Minisztérium épülete Washingtonban (1963–68). Részt vett az UNESCO New York-i épületének megtervezésében is.
1965-ben „Marcel Breuer and Associates" néven irodát alapított New Yorkban. 1966-ban visszavonult. 1981-ben halt meg New Yorkban.

1925-től tervezett csővázas bútorai és berendezési tárgyai, amelyek az egzakt alapformákon nyugvó tervezés példái; a Bauhaus legszebb termékei közé tartoznak azok a művei is, főként lámpák, amelyek azután készültek, hogy az iskola ipari formatervezéssel kezdett foglalkozni. Építőművészeti újító tevékenységét a mindenkori szerkezet- és formaalakítás élvonalában kamatoztatta. Szakmai sokoldalúsága révén annak az építő mesternek a jelképévé vált amelynek megteremtését Gropius a Bauhaus oktatási céljaként - az intézet megalakulásakor - deklarált.