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Elfman, who is of Russian, Polish and Jewish descent, grew up in a racially mixed community in the Baldwin Hills area of Los Angeles, where he was known as 'the whitest white kid'.[1] He spent much of his time in the local movie theatre, adoring the music of such film composers as Bernard Herrmann and Franz Waxman.
After dropping out of high school, he followed his brother Richard to France, where he played his violin on the street and performed with Le Grand Magic Circus, an avant-garde musical theater group. Violin in tow, Elfman next journeyed to Africa where he traveled through Ghana, Mali, and Upper Volta, absorbing new musical styles, including the Ghanaian highlife genre which would eventually influence his own music. Elfman contracted malaria during his one-year stay and was often sick. Eventually he returned home to the United States, where his brother was forming a new musical theater group, The Mystic Knights of the Oingo Boingo. The group performed the music for Richard's debut feature film, Forbidden Zone. Danny Elfman composed his first score for the film and played the role of Satan. By the time the movie was completed, The Mystic Knights had shortened their name to Oingo Boingo and become a recording and touring rock group.
After dropping out of high school, he followed his brother Richard to France, where he played his violin on the street and performed with Le Grand Magic Circus, an avant-garde musical theater group. Violin in tow, Elfman next journeyed to Africa where he traveled through Ghana, Mali, and Upper Volta, absorbing new musical styles, including the Ghanaian highlife genre which would eventually influence his own music. Elfman contracted malaria during his one-year stay and was often sick. Eventually he returned home to the United States, where his brother was forming a new musical theater group, The Mystic Knights of the Oingo Boingo. The group performed the music for Richard's debut feature film, Forbidden Zone. Danny Elfman composed his first score for the film and played the role of Satan. By the time the movie was completed, The Mystic Knights had shortened their name to Oingo Boingo and become a recording and touring rock group.
In 1985, Tim Burton and Paul Reubens invited him to write the score for their first feature film, Pee-wee's Big Adventure. Elfman was apprehensive at first because of his lack of formal training, but with orchestration assistance from Oingo Boingo guitarist and arranger Steve Bartek he achieved his goal of emulating the mood of such composers as Nino Rota and Bernard Herrmann.[2] He later described the first time he heard his music played by a full orchestra as one of the most thrilling experiences of his life[citation needed]. Elfman has spoken of the affinity he developed right away with Burton,[2] and he has gone on to score all but two of his major studio films (Ed Wood, which was scored by Howard Shore, and Sweeney Todd, a filmed version of the 1979 Broadway musical with music by Stephen Sondheim and score by Jonathan Tunick).
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